Book Editing; Overly Used Words, Filtering and Filler Words

Hello Scribblers. Another week has flow by. As several of you have probably noted, over the last several weeks I’ve been buried in the editing process.  In fact, I just finished and sent off the first round (or pre-edits) to my upcoming novel the sequel to my duology of The Calling, titled The Called. The book should be coming out March 2021.

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This particular around of editing has been long and arduous, not because it’s hard, but because this round of editing involves getting rid of overly used words, filtering words, filler words, etc. And I want to know what you think? What are you looking for in a properly edited book? Do you even care? Let me explain what these all mean and you can tell me your thoughts.

Now what are these Overly Used Words I mentioned? Some of them are:

Really

Actually

Very

Just

Shrug

Because

There are more of course (a lot more) basically overly used words are common words everyone uses all the time. So, when we write we tend to use them too much and have to go back into our works and remove them. Authors have to figure out ways to rework sentences to either eliminate or replace these words and phrases. Sometimes the change makes sense, other times the change doesn’t. Still the process takes times. One chapter can take several hours to edit. The outcome of these edits can make the story much better.

There are times when word choice is made for dialect reasons or to remind readers you are in a certain character’s point of view and the author is showing you their mind set.

Think about the words or phases you use all the time. For me I use “just” and “really” all the time, even when I’m thinking. If suddenly, those words were gone would I still sound like me?

Recrafting chapters and sentence structure to address specific words can be a slippery slope and needs to always be done with caution and for good reason.

Overused words aren’t the only item that needs to be addressed during editing. Filtering Words or Phases is something that all authors are asked to address in their writing. Filtering words include:

Saw

Heard

Thought

Could

Watched

And many more. These words, like the overused words, can slip up readers, or separate the reader from the story. Instead of saying; “Marc heard a loud bang off to his left.” The sentence may read better as; “Marc startled at the crash off to his left as his stomach flipped and his palms became damp.” With this change you have a greater sense of what Marc is feeling you are more in his point of view and the phasing is much richer and interesting.

Making these adjustments to one’s story tends to help the stories flow, however like with all editing, making these changes takes times and can dramatically change the story the author is looking to share with the world. In some cases, despite these changes making the story more richly worded, they can also increase the word count making the story longer than it may need to be.

Filler Words such as: was, that, and it always need to be addressed and edited out whenever and wherever possible. These changes will allow for a more descriptive story.

One of the big writing no-no’s is adverbs, basically anything ending with ‘ly’ nothing will spin an Editors head faster than an adverb, luckily for this round of ending I didn’t have anything that got dinged.  However, there are still a few more rounds of editing to go.

So, when you are reading a book and you stop because you are hung up by some crazy turn of phase and wonder why the author didn’t write. “Said” instead of this long description about how the character reacted, you can rest assured that at some point the author did write ‘said’ but was asked to reconsider the words use and create something that offers the reader more description and detail. Or, to be fair, the author may have changed in on their own…we do that too.

Now that I explained these editing/writing ‘rules’ with you. What do you think? Do you care? Well, why you should care is because, as I said at the start of this blog post, this round of editing took me close to four weeks. This is the first round; their will be at least two more rounds of editing. Which leads me to the point that books take time to write and time to be properly edited, so keep that in mind when you wonder why a good author only publishes one or two books a year.

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Want to learn more about the writing process? Interested in finding out more about the writing journey check out these posts:

Mother of Words – By Claire Buss Check it out here.

On Reading – by Joyce Hertzoff Check it out here.

Why I Write and How the Stories Come to me? Check it out here.

What are your thoughts on all this? What do you think about the editing process? Would you rather an author pump out a new book every month, to hell with the quality of the writing? Or, do you want to read a novel that is accurately edited and know that every effort to make the story its best possible self has been made? I would love to hear what you all think. Do filter words bother you when you read? What about overused words, do you notice them? What are your thoughts on adverbs? Please remember to drop me a heart/like letting me know you stopped by. If you want to help support me and my writing efforts please consider sharing this post on your social media platforms to help keep the conversation going. Until next time I hope you stay safe and have a great week.

Managing Multiple Writing Projects

First, let me start by saying, “Ugh!” This weeks blog is gonna be short, which I hope is cool with everyone.

Did you know there are literally hundreds of resources for managing multiple writing projects?  There are software programs, books, blogs, webinars, seminars, etc. It’s crazy.  I get people need help to focus; we all need that kind of help…

Oh look, squirrel.

Where was I? Oh right, staying focused.  Right now I have three projects I’m working on.  I’m writing A New World–Conspiracy, I’m writing TAD (my new writing project), and I want to edit/rework ‘The Reunion’ which was just published on Tall Tale TV, click here to check it out.

So, how do I keep it all under control?  I’m very basic.  I use outlines, notes, research, and character sheets. That’s all I use and for me that’s all I need.  I’m familiar with writers who use Scriverner and love it, which is great.  For me it’s one more item to manage.  It’s like using Microsoft Projects at the office, sure it works but you’ve got to manage it and populate it.  Ugh.  That’s way too much work for me. I like to keep it simple.

I understand that what works for me may not work for everyone and that’s great. What I’m really curious about today is what other writers think and use.  How do you keep everything you’re working on straight and organized?  Heck, you don’t even need to be a writer, just a busy person with a lot of balls in the air.  If you’ve got some great tips and tricks tell me.  Leave your thoughts in the comments below.

Until next time, have a great week.

Are Slow Burn Books Dead?

I’ve been wondering lately what people think of slow burn (slow paced) novels.  I don’t mean novels that go on-and-on about a rope unwinding, or describe every single item in a room to a reader.  What I’m talking about are stories that start off slow, allow readers to become familiar with the characters and their surrounding situations.  The reader actually gets to care about these people and their lives before all holy hell breaks loose.

This was a big topic of discussion on the writers group I belong to.  Most people agree there should be an inciting incident happening pretty quick (as soon as the first couple of paragraphs and no later than chapter five for all books). If you don’t know what an ‘inciting incident’ is it’s an episode, plot point or event that hooks the reader into the story. This particular moment is when an event thrusts the protagonist into the main action of the story.

Anyway, I agree with the need for an inciting incident I don’t see the need to be so fast.  I find in a lot of books/novels these days’ authors drop the reader right into the action, normally within the first few paragraphs. If not, the first paragraph.

So people love this.  It reminds them of movies and it gets their heart beating and, for them, it’s the best way for a novel to begin.

For me, I’ve hardly gotten to learn anything about these people, so why do I care if some monster, explosion or whatever is chasing them.

It’s only chapter two and their mother died in their arms.  The house they lived in blew up and aliens (or vampires or zombies or whatever) are rounding up the survivors.  Well lovely, but hey, could I maybe get the characters last name first.  Perhaps, find out that they have brown hair and green eyes.  I need to connect with these people.  I need to relate to them.

Is that too much to ask? 

Am I expecting too much?

Or worse yet, I’m I the only one who cares about this stuff? Clearly I’m not, because there are tons of books out there that move at a slower pace.

Still, is fast passed action, action, action all that people want?  Look at our movies and TV shows, you barely get any character information before you’re thrust into the action sequence.

Ugh, it gives me whiplash.

So, I continue to wonder are slow burn books dead? I hope not. Because if that’s the case, as a wannabe author, I’m screwed.  Two of my works in progress are what I would consider longish stories.  One ‘The Calling’ hovers around 100k words.  The other ‘A New World – Contact’ is around 169k words.  Currently, I’ve been trimming them both down, trying to cut the fat and leave the flavor.  It’s a slow process.

So, I’m asking, what do you all think? Do you care about these things or do you want a good story that you can sink your teeth in and enjoy?  I’d love to hear your thoughts.

Remember, you can always like and share this blog post.  It lets me know what you all want to talk about.  What are your thoughts on this topic?

See ya soon.